duminică, 25 februarie 2018

Jean Giraud


https://en.wikipedia.org/wiki/Jean_Giraud
 
Jean Henri Gaston Giraud (French; 8 May 1938 – 10 March 2012) was a French artist, cartoonist and writer who worked in the Franco-Belgian bandes dessinées (BD) tradition. Giraud garnered worldwide acclaim predominantly under the pseudonym Moebius and to a lesser extent Gir (French), which he used for the Blueberry series and his Western themed paintings. Esteemed by Federico Fellini, Stan Lee and Hayao Miyazaki among others, he has been described as the most influential bandes dessinées artist after Hergé.

His most famous works include the series Blueberry, created with writer Jean-Michel Charlier, featuring one of the first anti-heroes in Western comics. As Mœbius he created a wide range of science fiction and fantasy comics in a highly imaginative, surreal, almost abstract style. These works include Arzach and the Airtight Garage of Jerry Cornelius. He also collaborated with avant-garde filmmaker Alejandro Jodorowsky for an unproduced adaptation of Dune and the comic book series The Incal.

Mœbius also contributed storyboards and concept designs to numerous science fiction and fantasy films, such as Alien, Tron, The Fifth Element and The Abyss. Blueberry was adapted for the screen in 2004 by French director Jan Kounen.

miercuri, 19 aprilie 2017

Colaborare

1 milion de oameni participa la crearea unui mozaic. Imaginea are 1000 x 1000 si fiecare are voie sa plaseze 1 pixel o data la 5 minute. Rezultatul:


Reddit Place: The Internet’s Best Experiment Yet
When Pixels Collide

The Creators

First came the Creators. They were the artists to whom the blank canvas was an irresistible opportunity.
...
The problem was less one of immaturity, and more of the fundamental complexity of the creative process. What the Creators were starting to face was something that would become the defining theme of Place: too much freedom leads to chaos. Creativity needs constraint as much as it needs freedom.
When anyone could put any pixel anywhere, how does it not lead immediately to mayhem?

The Protectors

Another set of users emerged, who would soon address this very problem.

But like the primitive Creators, they weren't yet self-aware of their purpose on the great white canvas. Instead, they began by simplifying the experiment into a single goal: world conquest.

...

It wasn't long before the Factions ran head-on into the Creators. Charmander was among the first battle sites. As the Blue Corner began to overwrite the Pokemon with blue pixels, the Creators turned from their internecine phallic wars to the bigger threat now on their doorstep.

They fought back, replacing each blue pixel with their own. But the numbers were against them. With its single-minded focus on expansion, the Blue Corner commanded a much larger army than the Creators could muster. So they did the only thing they could do. They pled for their lives.

Somehow, it struck a chord. It ignited a debate within the Blue Corner. What was their role in relation to Art? A member asked: "As our tide inevitably covers the world from edge to edge, should we show mercy to other art we come across?"

This was a question each Faction faced in turn. With all the power given to them by their expansionary zeal, what were they to do about the art that stood in their path?

They all decided to save it. One by one, each of the Factions began flowing around the artwork, rather than through them.